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rebelbirdY2K
Sea Post King


Lost at Sea is the only song I've heard that could play on the radio and appeal to a large number of people. It' is the song. The label better recognize. haha.
I mean, you could do Telescope Eyes, but it abondons alot of people. Everything else is too creepy, or unicorn barbie...(i'm sorry-imaginative), or intelligent. All those things abandon potential fans. Lost at Sea is sweet and simple and speaks vaguely of common emotions and ideas, and it will hook people, that's all I'm sayin. Once they're hooked, they'll want more, like crack...or sugar.
Lost at Sea. Lost at Sea. Lost at Sea. say it with me. Lost at Sea.

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Paranoid Android v2.0
Vintage Newbie


Eisley songs will appeal to the correct radio audience. If the people who just flipped from the latest Brittney Spears to Eisley don't like the song, well who cares.

Eisley music will make Eisley fans out of the proper material if given a chance.

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boyd
Eisleyoid


rebelbird.... Thanks. And, you should consider getting into the
record industry. WB is hanging big hopes on that song; but it's not
produced for radio at this point. It's harsh, slow, heavy, filled with
noise...especially on the chorus.

The song is, however, meant to be slow, dreary, emotive... and the
problem is, WB wants it to be more driving...especially in the chorus; with
powerful drums...and a new tempo to give it that radio zing.

But I say, this song isn't about "the beat". Meter, yes. It has a cadence...
but not some big, ghetto, back-beat. Conceptually...and even literally, it's
about being lost. The context is the ocean...the sea... that's an abyss;
That's the deep. That's absolutely the kind of elment you get lost in.
Though the song has a cathartic ending... a resolve to being "lost", it has
it's defining moments in the undefining deep. In short, waves are
organic...uncalculated dynamic form, not static; the theme of being lost
reinforces and valdates this context.

Love: "i will always love you"... nothing about this song begs for
mathematical constraint..i.e.:big drums, which is a system of
measurement...an infelixible, linear mapping. Love is also fluid.

Originally, the song wasn't meant to have drums at all... (see ref. low
rez, first historical recording of the song on a cassette taping machine:
http://www.straylight6.org/vids/LostatSea2.mov ) Now they've added a
beat, which is sorta ok. But the loop track we've heard from WB is way
over the top. It's all energetic and stuff.

Not sure what to do. I agree with you...it has radio potential. But who can
bring that potential to the marketplace. Rob's version is ok, but it's not
radio and I still like the original lil' video version better. That would
NEVER make it to radio.

You never know. The right kind of loop or beat, even if stronger could
work for the song... but it's yet to be seen or understood. This song is
caught in the lurch. And the snare might be radio.

I wish the world were different. (speaking of radio) Why so many stupid
parameters? Why so many constraining, creative applications? Why can't
radio people toss out the old laws?

My brain just doesn't work like that I resent the fact that it could be true
that radio-americans can't understand anything broader and more
creative than they do. That just plain sucks and bites beyond imagination.
This is why I don't listen to radio. Why are we trying to fold a living bird
into some kind of Oragami?

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journey with a new manifesto and a new era: The Age of Meaning."

(manifesto's sold separate)
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potato
Laughing Citizen


i heard memories on the radio the other day. granted it was ktcu...but i felt like saying something
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giant_
Laughing Citizen


i listen to eisley but never to the radio, go figure, i think eisley's music appeals to people that hate radio and all its crappiness, so why care so damn much. word of mouth is the best way to find good music, not mtv or the radio...
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chasd00
it's pronounced "chasdew"


If they want Eisley on the radio then do it and let them redefine radio. Don't redefine Eisley so they fit everything else on radio.
<30 lines of rant omitted>

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bgburroughs
Vintage Newbie


chasd00 wrote:
If they want Eisley on the radio then do it and let them redefine radio. Don't redefine Eisley so they fit everything else on radio.
<30 lines of rant omitted>


That pretty much sums it up. Smile
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Derek Version 1
Golly, Poster


what's ktcu? a college station?
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ideal
Sea Post King


lost at sea is threatened to be changed into an upbeat pop song?!

see this is the sh*t i'm talking about, the record label is going to corrupt the songs! Mad

lost at sea, as beautiful as it is, can't be made into a radio song. it's meant to be a song like "bulletproof (i wish i was)" or "sail to the moon". it's not meant to be a song like umm... "yellow" for example. at least that's what strikes me as obvious.

my vote for the single is undoubtedly sunfeet!! not only is it the eisley song i listen to the most, but it is the most catchy as well. just like it is. screw the label moguls who think that a radio friendly song has to have dumbed down phrases that are straightfoward enough for a retard to understand ("oh, i love you, but you left me. but baby i want you back. yak") sunfeet is tha bomb!!!!

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rebelbirdY2K
Sea Post King


OK...I see all the problems, but true creativity springs from staying within certain limitations. It's not a formula. I won't say my specific ideas on how to work out the kinks because it's not my JOB, but I will agree with boyd when he says it needs to be cleaner.. more clean.. whatever. I haven't heard what he has heard, but I heard it live and the demo.

I know its there and I don't think it needs that much adjusting. Maybe a soft drum beat, or a different drum altogether. maybe a bridge here and there, or some short breaks. Hold the guitars off for the first verse or during the chorus or something...I don't know.

Guys like me, ali, rob, jamie, and alot of the others on this board, prolly chad and paul and ben and james and kelly, would like this band if they heard any song by Eisley. We're not abnormal really, but a lot of people might not give Eisley a second look if they don't like the first song they hear. say what you want about radio, but it's word of mouth on steroids, times 10. it' s cool if the attitude is " we don't care if people who like avril don't like Eisley." Of course, but it's not honest of me to say my feelings wouldn't be hurt if at least 150,000 other people didn't agree fanantically to buy Eisley's record. And if I was a record executive, I'd probably be looking for a new job.

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WeAreTheEggmen
Sea Post King


what happened to marvelous things (the song/single, not EP)? WB should re-release the track and push it HARD. they're dumb to let it go.
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boyd
Eisleyoid


i hope you guys don't ever stop posting your brainwaves. It's the best
sounding-board I could ever ask for. Getting to talk to fans who really
"get" the music and understand the market. It's priceless.

I read every word... sometimes twice, and quote you.

And don't worry, the band is stubborn and aren't going to accept any
resolve unless they totally love it. You'll have to trust me on that one.

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"The industrialists never saw the fruit of their own labor - Post Moderism,
which I now proclaim as dead. Their forefathers digital revolutionists,
have accelerated the final resolve by punctuating an end to our chaotic
journey with a new manifesto and a new era: The Age of Meaning."

(manifesto's sold separate)
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EisleyForever
Vintage Newbie


rebelbirdY2K wrote:
Everything else is too creepy, or unicorn barbie...(i'm sorry-imaginative), or intelligent.

HEY! are you calling us radio-listeners stupid?! (glares indignantly, arms crossed over Britney Spears shirt)
hmph! (turns away, puts on Hilary Duff CD)
You are so yesterday. And I'm just a biiihiiiird....

bla bla flown awaaay...










oh yeah! eismeh. them's gud eet'n'.

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bgburroughs
Vintage Newbie


rebelbirdY2K wrote:
Everything else is too creepy


Not at all to put you down, or to put the band down, but this line sort of struck me after re-reading your post, because it amuses me to think how the average radio listener would react upon hearing something like Kid A, or some of Tom Waits' work, or something equally-strange, if they think that any of Eisley's material is at all "creepy." I personally find them to be as far from creepy as just about anything... Very Happy
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BK
Laughing Citizen


As much as I hate hearing about WB's push for a radio song, I can't deny that it would help draw in more people. Plenty of band out there will put a song on their album that sounds like nothing else they have written (Goo Goo Dolls come to mind as an example). It isn't beyond Eisley to write something with a faster tempo that might appeal to a larger crowd, and they don't really have to compromise their "convictions" about what their music should sound like to do it. Telescope Eye's ended up being a pretty good radio song, and Marvelous Things did pretty well to bring in more fans too.

A few suggestions my dad made, write a song titled something like "This Is Our Radio Song" and make it exactly as the label wants it, or just cover someone elses hit song. (he used Britney Spears - Oops I Did It Again as an example)

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